2-in-1 awalkaday.art Exhibitions

A series of pop-up artistic installations inside of exhibition venues which are designed to host the awalkaday.art Photo Collection and much more.

Leave your marks on my exhibition

dear visiting guest,

Use any web browser, on any computer, from anywhere.
Step into a fast-moving tunnel, skip asking daqhris for keys.
Pass through its open door, on the way to a virtual exhibition.
Walk around, left and right, front and back, as you wish.
Unlock the guestbook with your digital identity key.
Remember to write down your mark, onsite, online!

Locations:
→ oncyber.io/awalkaday.art (Best for PC/Mac)
→ instagram.com/walk.day (Best for Phone)

do not exit, yet.

Afterward, walk into another open door at Hectolitre.
Your marks are excited to be left on centennial walls!
Your electronic identity card stays at home when visiting.
I will hand you writing tools inside of the lookalike walls.
Our walls keep the exhibition obedient to physical laws.
The brick-and-mortar art exhibition is housed in Brussels.

Location → 2nd floor of Reactor, Rue de l’Hectolitre 3

do not exit, yet, please.

What’s on your human mind, my dear?
Black and white walls are waiting for you.
Let’s leave a mark on the exhibition walls, I and you.
Ears of our bodies will be listening to a single audio.
Every in-person visit will end with one digital photo!

close, windows, then doors.

Exit the 2-in-1 exhibition, when your face smiles, before closing time.
Your mark’s photo will be hung on cyber walls after RendezVous Brussels Art Week.

Credits:

Documentation of the 2-in-1 exhibition

Back in February of 2024, a video tour of the virtually simulated photo exhibition was filmed in two frame sizes, landscape and square, and spread out across cyberspace.

Below is the visual documentation of before the opening of Hectolitre’s doors, and during open hours while at least 50 humans walked into the physical simulation of a photographer’s studio.

Before

The photos portray the rooms’ decor (and later, drawings) on my exhibition’s walls on the 2nd floor within Reactor, where I had painted and designed a space for the occasion. After the interactive and participatory exhibition, I drew black and white marks on them to not reveal in front of public eyes everything so early. They were shot, squarely edited and styled by use of apps on a smartphone in the fashion of awalkaday.art Photo Collection.

See also: instagram.com/walk.day/p/DORRJWSiD9p

During

My personal computer was put at the disposal of visitors to have a glimpse at the virtual exhibition hall on top of a wooden table in the middle of the white room. Chairs, a table lamp, a welcome mat and a coat hanger were present. A wooden rectangular box containing handwriting tools, such as chalks and spray cans colored either in black or white, was placed near the wide-open entrance. The windows were kept open at all times to let in fresh air and to please the eye. At the center of the black room was situated two photographic machines embracing each other, one defunct and ancient optical enlarger for printmaking in a darkroom, and one modern Canon-branded DSLR camera standing on a tripod for subsequent use to photoshoot the marks.

See also: instagram.com/walk.day/p/DOUDoczCDXw

After

To everyone who made the trip on short notice, thank you very much from the artistic heart of Brussels! Including the absent newborn baby of friends whose name I left on walls despite swearing to not write anywhere.

COMING OUT SOON: Photos of all marks on the walls of black and white rooms.

Date of last update: 5th of October 2025